古戸 ヱリカ | Furudo Erika (
intellectualrapist) wrote in
gocirclegogo2012-07-25 03:03 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
NAKAMAAAAAAAAAAA
[After intense debate - a word which here means 'a lot of whining and pouting' - Erika got Zelos's permission to go talk to Willard. The only conditions were that Zelos be allowed to wait nearby and no fighting. Both very reasonable requests, really, considering the state Erika was left in after the last talk.
Right now, she has a theory. Will's been in a bad state and probably by this point doesn't even know what day it is or what events are going on. Probably he was at fault for the whole Dagon thing but that's not so surprising. More surprising is that it happened. And Mikado wants to talk to Will about it, meaning who knows what could happen, but Erika wants to check Will's mood first.
So Zelos gets to wait with some church ladies while Erika heads Will off. If she's right, he probably still was thinking he had to show up at Dagon at some point to check on her, too. Or he's just really out of it and who knows but either way, given everything that happened and Will's status, she figures her guess is spot on when she catches Will heading out.]
Willard, you're looking splendid as ever.
Right now, she has a theory. Will's been in a bad state and probably by this point doesn't even know what day it is or what events are going on. Probably he was at fault for the whole Dagon thing but that's not so surprising. More surprising is that it happened. And Mikado wants to talk to Will about it, meaning who knows what could happen, but Erika wants to check Will's mood first.
So Zelos gets to wait with some church ladies while Erika heads Will off. If she's right, he probably still was thinking he had to show up at Dagon at some point to check on her, too. Or he's just really out of it and who knows but either way, given everything that happened and Will's status, she figures her guess is spot on when she catches Will heading out.]
Willard, you're looking splendid as ever.
no subject
[There's not even a reaction to Zelos being in stalking range - probably because he already knew, but still - or her offering moving to another spot. The reason he wants out of in front of the church is to be out of sight range, but if she wants to sit on the stairs, then fine. Who cares.]
no subject
And when she sits against the side of the building, he might notice how slow and careful she moves compared to usual, or the slight wince that she masks quickly. Her legs stretch out instead of pull to her chest as they normally would.]
...So... how are you feeling? [The...big question?]
no subject
But that flash means there's at least something there. There's a moment after she sits that's spent glancing back in the direction of Zelos and his cluster of worried parishioners. Then a beat before turning back and sitting directly across from her. A small concession to the spy - full view of both parties.
Erika can also take pride knowing she's not the only battered one. He normally crouches in place, only sitting if wounded. Even more out of place than that is how one knee's pulled to his chest similar to how she does, bad posture and shoulders hunching and leaning on it for balance.
Yeah, she probably got a scar. Victory one. Victory two is she gets him to admit something he even avoided last time.] ...Tired.
no subject
'Good.' You admitted it. [Erika hesitates, trying to think how to question the rest.] But...was that really necessary? I didn't realise you were so angry that you would order a slaughter.
no subject
Wait. That's a bad thing right now.]
You said I was taking too long. He needed an assignment and wouldn't shut up about... [Killing his superiors. Plants. Sunshine and windows and-] Things. Then he offered doing that, and...
[And what? He'd leave it there, but even the blank expression dies a bit more. He maimed her like this, so at least she deserves saying it out loud. Even if it's like physically ripping something open inside.] And I don't have the energy to fight against needless arguments.
no subject
So...that was all her fault after all, huh? It's not like she has any feelings for the people who died but a slaughter just because she acted like an idiot to a friend?]
...I really am sorry, Willard.
no subject
Whatever you're sorry for, I think I beat you enough to make up for it. [A beat. Or five. Or twenty. However long it takes to catch up to the countless lines of self-berating after saying it.
She has good hearing. So she could probably make out the muttered 'sorry'. It's just as miserable as she thinks it sounds, and it's obvious about that he's apologizing for.]
no subject
I taunted you into it, like always. You don't owe me any sort of apology.
['Like always' means 'like the first time.' He doesn't owe her anything because she caused it all in the first place.]
no subject
That doesn't excuse it.
no subject
[Well, since they're being honest... Maybe she's a little tired herself to be so straightforward.] I tried to... 'atone' by fixing you but I couldn't. However your heart has broken, I certainly can do nothing for it. That's a proven fact. The least I could do was let you do this to me as an apology.
no subject
Wow, that logic is shitty. And good thing it means that how much it hurt to hear that never reaches his face. It also says volumes that Erika will be the second person in this generation of his acquaintances who has heard him curse. Actually curse.]
That apology is shit. Whatever happened to saying sorry like a sane person. ...And I don't care what weird self-justification you've conjured. It doesn't excuse me blacking out and...
[Almost killing a friend. That's fucked up no matter how you spin it.]
no subject
[Erika messes with her hair. At least that nervous habit is so old and familiar that it would be hard to mistake for anything else.]
no subject
[It's not what? The sentence dies while watching her fidget with her hair. Whether it's done on purpose or not, it's a good move on her end. He watches it like some type of absent motion. Logically, it's her being nervous. He's seen it before. Everyone knows it. But he doesn't feel it.
So for that long moment, she can think he's staring off at nothing again. Just the point of nothing happens to be her fidgeting. In reality, he's giving her words the same weight he'd give Dlanor's. Watching her stupid front strands move in small twists and trying to find that thing he's been subconsciously executing lately.
He speaks again out of nowhere after some amount of minutes, but he sounds slightly more awake.] It's that bad, isn't it.
no subject
Until he speaks. Erika pauses and glances up. Even the tiniest lift in his voice makes her feel...so much better.]
...Yes, it really is that bad, Willard. Do you understand now?
no subject
Shortly after that is when you discover your kill count is actually twelve zeroes off and feelings are a thing you get after mental breakdowns and spirals into crippling depression that end up rewriting your whole personality to try to get over it.
Idly, he wants to thank her for catching it now so that whole period didn't repeat itself. He also knows that is a dumb idea and he is never recounting that to anyone, even Lion, if he can help it.]
...Yeah. I didn't notice it. It's been... [Eighty-seven years-] Not that long ago I used to be... that. Worse, actually. Guess I didn't notice. Old habits and all that.
[He's still not moved from staring blankly at the wall, but the words have life coming back to them. Even if it's unhappiness. Hey. It's something.]
no subject
This tone might be weak but slowly it revives with every word. That's emotion. That's something real.]
I heard a lot of rumours about you just in my brief time. I can't imagine it. Even seeing you like this has been... [Very painful.] ...difficult. And I admit I might not be subtle but you've always been able to see everything about me.
It's simply pathetic when I can understand motives better than you. That isn't how it should be.
no subject
Do you want to imagine it?
no subject
If you're comfortable with it, then yes.
[Double-checking consent! Erika is moving up in the world.]
no subject
Two six five six eight zero three four eight seven zero three three five seven two. Two quadrillion, six-hundred fifty-six trillion, eight-hundred and three billion, four-hundred and eighty-seven million, thirty-three thousand, five-hundred seventy two.
[There's nothing else after that, to give her the chance to process the number. It's a long moment. Long enough for her to realize that number is goddamn huge. Then the rest is so quiet that even if Zelos strained every ability he had to hear awesomely, he'd still miss it.]
Two-hundred ninety-three thousand, four-hundred and eighty witches, demons, or condemned sinners. The rest were collateral. And I felt nothing.
no subject
Erika stares at the wall across from them, expression blank. It comes from trying to process it and her own emotions complicating the usual automated filing of data. 2,656,803,487,333,572. In the picture in her mind, it looks like a number spewed out by a broken calculator.
Of course, she doesn't really feel anything, either. Will said he didn't and Erika doesn't but it's different even then. Erika can't process it. Even if she could, her emotions are too broken to feel a weight like that and she knows it. She is too broken to feel a loss of life that isn't limited to a number of people she could count on one hand.
But someone like Will... someone like him should. And apparently, at some point, he did. That whole personality switch that was so infamous that a piece like Erika heard about it.
She doesn't care about the loss of lives or worlds. The number is kept in Will's file like a sacred bit of data, since she knows it's not one he's revealed often if ever. But...she cares about Will. Will cares about that number. Or did.]
What do you feel now? When you think of that number and those actions you took... do you feel anything now?
no subject
She'd probably recognize that tone extremely well after the sixth game.]
I don't need to say it. The Detective, right? Remember that number. The day I feel nothing for it is the day I'm better off dead.
no subject
Of course I'll remember it. I'll remember those words, too. [Not that she would kill him - could she even? power wise? - but maybe clubbing him over the head with her scythe a few times would do the trick.]
Now then, Willard. You recognise the problem. We could try retraining you and perhaps have a montage wherein you relearn how to read and care for the hearts of people around you. Or we could think of something that isn't completely stupid.
no subject
But at least she can know calling him out to it was a good thing. It means he's trying accidentally kill off reactions. It also means her last comment earns a short laugh that could almost be genuine.] No montages, thanks.
[...Oh. Question in there, right. Should remember those.] I... have no idea. Have to try stopping it when it starts. I guess.
no subject
[She pauses, taking a breath. Ugh, it's getting easier to just be straightforward and say her feelings outright. How horrible.] ...I want to be friends again. The faster you're back to normal, the faster we can be friends again.
no subject
[Right now it should click why only those small openly-unaffiliated churches are the ones still bombing things and being huge assholes. Logically, it's a seat of manipulation you don't just toss away willingly. Especially not to some random doof of a human who would use it.
Stupid Willard. But for that comment, Erika's stupider. Getting a blank stare for it, but not the heartless ones. Just the usual expression of 'really, Erika?'] There's news. I had no idea that was something that changed. Unless you're mad I almost killed you, I didn't think we stopped.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)